pour it

DRAMATURGY • Intimacy, watery habitats and thresholds • ROSKILDE, DENMARK • 20th-22th OF MAY, 2021 ‘pour it’ is a riverine dance performance and stream of friendships and shorelines portraits. A piece that floats between ecosystems, lingers by bodies of water, and dances with ever-changing aspects of love. ‘pour it’ is an extension of the piece… Continue reading pour it

Of All Its Parts: From Darkness

CHOREOGRAPHY • On the political and aesthetic potential of dream material •CPH. DENMARK • 24th OF FEB – 1st OF MAR, 2020With Of All Its Parts: From Darkness we, the duo two-women-machine-show, conclude our episodic journey into the unknown depths of a shared imagination. The result shows a timeless and transformative figure, whose dancing is a ceaseless flux between someone and another, between… Continue reading Of All Its Parts: From Darkness

Mountain, Tree, Cloud and Tiger

DRAMATURGY • Inspired by everyday practice in transmigrant societies •BERLIN. GERMANY • 3rd OF OCT – 6th OF OCT, 2019Inspired by Korean migrants of the 1960s and 1970s, Jee-Ae Lim explores everyday practice in transmigrant societies. Individual memories meet cultural memory, ideas of mobility and globalization rub against those of home and tradition. By means of traditional and contemporary dances, four Korean professional… Continue reading Mountain, Tree, Cloud and Tiger


DRAMATURGY • On the sensing body • CPH. DENMARK • 27th OF AUG – 12th OF SEP, 2019 GRAVITY zooms in on the experience of the present moment and explores the potential of the senses and emotions in our meeting with other people. The work is the last part of the trilogy Rethink Ageing and… Continue reading Gravity


CHOREOGRAPHY • On the capacities of human imagination •CPH. DENMARK • 24th-30th OF SEP, 2018 ALITY comes from an enduring question about the possibilities of subversion/utopia. We choose to work in the realm of possibles from which concrete instances come into being. The piece is an experiment in indeterminacy, thin images that appear unbidden and glide between the lines of… Continue reading Ality

Of All Its Parts – ep.1

CHOREOGRAPHY • Scoring for iterations of the unknown •CPH. DENMARK • 3rd OF AUG, 2018   Of All Its Parts is a kaleidoscopic choreography based on the capacities of human imagination and its vivid potentials for presenting us with glimpses of the not-yet-known. With good reason we cannot begin to tell you about the coming dances of this work. Only… Continue reading Of All Its Parts – ep.1

Collective Pace

PERFORMANCE • Collective Pace, a statement from RISK •CPH. DENMARK • 27th OF OCT, 2016″Tonight we want to honour the collective effort that surrounds our artistic production. We want to dedicate ourselves to a practice, which aims to stay “in process”.To search for a mode that allows continuous hesitation. To search for ways that avoids coining “strong meanings”.To… Continue reading Collective Pace

A Solo for the Duo

CHOREOGRAPHY • What is shared virtual space? •BUDAPEST, HUNGARY • 21st OF SEP, 2016 In November 2014 we embarked on a new work in two-women-machine-show. We started out by reading Michael Peterson’s book Straight White Male: Performance Art Monologues (1997), which introduced us to the history of stage monologues and its inherent privileges and conflicts. According to Peterson, the position of… Continue reading A Solo for the Duo


Welcome to WordPress. This is your first post. Edit or delete it, then start writing!

In Between Concrete

CHOREOGRAPHY • “Withdrawal” as performative concept • AARHUS, DENMARK • 23rd-24th OF MAY, 2016 In Between Concrete is a choreographic work that examines the materiality of absence. Four bodies wrapped in fabric begin their restricted movement through space. The constant alternation between form and dissolution creates a sculptural abstraction, replacing the recognisable with the intangible.   PERFORMANCES 201623rd-24th of… Continue reading In Between Concrete